(Source: valiantchild)

(Source: gracestevenson)

(Source: stonefields)

(Source: lilypotters)

wtffanfiction: Fandom: Sherlock “‘I’d like to introduce you to my boyfriend, Pickford.’ ‘That’s a fucking dinosaur!’ roared Sally.”

wtffanfiction:

Fandom: Sherlock

“‘I’d like to introduce you to my boyfriend, Pickford.’

‘That’s a fucking dinosaur!’ roared Sally.”

The WOMAN woman was Cuminabatch’s favourite line from the episode :D

(Source: vitalyorlovs)

“He’s so dishy!”
Benedict Cuminabatch about Rupert Graves

(Source: laserbeak)

jurisfiction:

#this moment is so great #moriarty just flaunting his cleverness in front of sherlock #he takes the mask off for a second just to taunt him #and sherlock kind of initially loves it #moriarty’s devotion to the game. his willingness to give himself fully to the fiction he’s created. #it’s certainly impressive and you can see the awe on sherlock’s face at the beauty of moriarty’s idea #the little smile #god these two

(Source: cworths)

chroniccheesylust: CAN I JUST TALK ABOUT THIS SCENE FOR ONE MINUTE? No? Tough.  Yes I’m still fangasming over The Reichenbach Fall… deal with it. Holy shitballs Mark Gatiss, you brilliant man. Mycroft’s complete guilt - he thinks he betrayed his brother and drove him to suicide, and Gatiss shows all of that without uttering a single word. One of my favourite moments of the whole episode (and that’s saying something). THAT LIGHT. It’s reminding me of a spotlight on a stage. Perfection. Toby Haynes is an actual genius. This episode has confirmed that he’s been added to my list of favourite TV directors, along with Euros Lyn and Richard Clark (yep, I know there’s a Doctor Who theme here!) The score for this is absolutely perfect. It cuts right into Watson in a similar pose in a similar composed shot, but facing the opposite direction. UNF aesthetics. And Watson’s shot, again, has no words. And then cut back into Watson’s therapy session and oh man, these three shots in succession… yeah. Ugh this was very good television. ^^^^ Exactly what I thought, just actually coherently written.

chroniccheesylust:

CAN I JUST TALK ABOUT THIS SCENE FOR ONE MINUTE?

No? Tough. 

Yes I’m still fangasming over The Reichenbach Fall… deal with it.

  1. Holy shitballs Mark Gatiss, you brilliant man. Mycroft’s complete guilt - he thinks he betrayed his brother and drove him to suicide, and Gatiss shows all of that without uttering a single word. One of my favourite moments of the whole episode (and that’s saying something).
  2. THAT LIGHT. It’s reminding me of a spotlight on a stage. Perfection. Toby Haynes is an actual genius. This episode has confirmed that he’s been added to my list of favourite TV directors, along with Euros Lyn and Richard Clark (yep, I know there’s a Doctor Who theme here!)
  3. The score for this is absolutely perfect.
  4. It cuts right into Watson in a similar pose in a similar composed shot, but facing the opposite direction. UNF aesthetics. And Watson’s shot, again, has no words. And then cut back into Watson’s therapy session and oh man, these three shots in succession… yeah. Ugh this was very good television.

^^^^ Exactly what I thought, just actually coherently written.

  • John Watson: Please, just keep it simple and brief.
  • Sherlock Holmes: God forbid the star witness at the trial should come across as intelligent.
  • John Watson: "Intelligent", fine. Let's give "smart arse" a wide berth.
  • Sherlock Holmes: I'll just be myself.
  • John Watson: Are you listening to me?!
Loved this shot.

Loved this shot.

cckimberley87:

Why’s it got two fronts?

It’s an ear hat!

The Deer Stalker or The Fez????

(Source: booasaur)

#the tower of london looking A LOT like cardiff castle there… But there are Beefeaters there - it MUST be London!

#the tower of london looking A LOT like cardiff castle there…

But there are Beefeaters there - it MUST be London!

(Source: side-of-the-angels)